"It's not about Ideas. It's About Making Ideas Happen."
Heading Description: An insightful analysis of the 'One Nation One Data' initiative and its potential impact on India's higher education landscape...
In a digital age marked by exponential data growth, harnessing the power of information is paramount, especially in the realm of education. The Government of India's visionary initiative, One Nation One Data (ONOD), emerges as a beacon of transformation, aiming to revolutionize data management in Higher Education Institutes (HEIs) across the country. This comprehensive blog elucidates the objectives, purpose, and policy framework of ONOD, while delving into its utilization of the AISHE Code, along with the requirements and benefits it offers for HEIs concerning accreditation bodies like NAAC, NBA, AICTE, and NIRF. Objective of One Nation One Data * At its core, ONOD endeavors to establish a unified and standardized data ecosystem for HEIs in India. Its primary objectives include:
A reflection on the creative process of writing and the serendipitous experiences that shape storytelling...
This year, I will have two books out, a companion title to my picture book, Out of the Way! Out of the Way! (Groundwood Books,
2012) and a sequel to my chapter book/early middle grade, Book Uncle and Me (Groundwood Books, 2016). Truth be told, I hadn’t planned to write either of them.
People often want to know where writers get ideas from. Ideas are cheap, I always want to say. Get an energetic brainstorm going in a roomful of, say, ten people,
and you might come up with fifty great ideas. The trick is to recognize the ones that have staying power. I too am dazzled frequently by many
sparkling ideas. But I have to ask myself, which of them can I stand to live with for the time that it will take me to write it out? More, to
write it so that it makes sense to anyone other than me. Which of them do I really want to engage with beyond its shiny surface?
The idea for a companion book to Out of the Way! Out of the Way! was a slow simmer rather than a sudden blazing star. The first book had done steadily well. It gathered some very nice accolades over nearly ten years. I’d been thinking for a while of a parallel story. Instead of a boy and a road and a tree, this one would involve a girl—and water. I wrote a rather threadbare draft with the uninspiring title of “Clean it Up! Clean it Up!” It didn’t work. Even I could see that. A few revisions into the process, that title fell off and the book became Look! Look! (Groundwood Books, 2024) That one change woke the story up.
The energy of the text gathered itself, sounding notes of wonder and discovery. It’s exciting when a tiny shift in words has that effect.
Uma Krishnaswamy’s beautiful pictures (no, she’s not me!) affected my text as well, in the best way. Here’s a blog post I wrote about how the early images helped me rethink and rearrange my text while reworking
several transitions. It’s true. Every book teaches me how to write it. The next one must take me on its own entirely different journey.
I owe the idea for Birds on the Brain (Groundwood Books, 2024) to a child who asked a question at the end of a virtual reading and Q & A about Book Uncle and Me. She said, “Is there going to be a second book?” I said something like,
“I don’t know—should there be?” Because really, that thought had not occurred to me. I’d been feeling done with these characters and this setting. In short order, the idea was rousingly voted on
and approved and I thought, Well, okay, we’ll see. I will confess that when ideas come scratching at my mental windowpanes, my first instinct is usually
to send them packing until they have returned with enough persuasive force to prove themselves.